If you have any particular questions or requests, please email me. These were produced by many of Edinburgh's studios in the early years of the 20th century.
Most followed the tradition and style of earlier cartes de visite and cabinet prints.
They probably produced very small numbers of each post cards which then found their way into family albums and collections.
Sometimes a photographer might expose a logo onto the image or hand stamp a name to the back of the card. Numbering was an essential way of keeping tract of large inventory.Some halftone cards were printed on high gloss paper to resemble a photograph but their screen patterns will give them away if one is vigilant.Most old photo papers used silver in their emulsions.There are many Postcards that reproduce photos by various printing methods that are NOT "real photos"..same methods used when reproducing photos in magazines and newspapers.The best way to tell the difference is to look at the Postcard with a magnifying glass.The tonalities of photos are completely continuous to the eye producing true greys, for they are created by the reaction of individual photosensitive molecules to light rather than the transfer of ink from a plate.In printed images the grey areas are usually made up of black marks that are spaced to create the optical illusion of greys.Some like Valentine of Dundee or GW Wilson of Aberdeen produced very large numbers of cards, covering scenes throughout Britain and elsewhere. The reverse bore a small picture leaving sufficient space to write a message.The address was written on one side of the card and the message, often very brief, was written on the other side. Here is an example form 1890, in which one Edinburgh photographer is advising another of the date of a photographic society meeting: From 1895 onwards, a size of 4.75 ins x 3.5 ins was adopted for postcards. The address,, and nothing else, still had to be written on one side of the card. In many cases the picture covered most of the card, leaving little room for the message.These presumably sold in larger numbers but, again, I have rarely seen any that have been sent through the post.Many photographers and publishers have produced views of Edinburgh.